Art Hub Film Club i Vester Vov Vov, Spring Season 2024. Featuring Loretta Fahrenholz. Presented in English or with English subtitles. Free entry.
In the spring of 2024, the Art Hub Film Club, presented by artist Loretta Fahrenholz, will feature a selection of films that delve into the emergence of filmmaking during the 1970s and 1980s in Berlin, spurred by the women's liberation movements. Female directors renegotiated the male dominated New German Cinema and experimented with highly subjective, wildly diverse forms of filmic expression. All films are marked by their defiance of commercial norms, that seek to invent new languages of political filmmaking. By transferring these methods and narratives into contemporary culture Fahrenholz echo this tradition and creates an overlap of temporalities.
The films Two A.M. by Loretta Fahrenholz, Is This Fate by Helga Reidemeister and Ticket of No Return by Ulrike Ottinger represents the act of filmmaking for what it has been for many women, across the decades and around the globe, a terrain of feminist struggle, and a way of not only relating to society, but remaking it.
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In the spring of 2024, the Art Hub Film Club, presented by artist Loretta Fahrenholz, will feature a selection of films that delve into the emergence of filmmaking during the 1970s and 1980s in Berlin, spurred by the women's liberation movements. Female directors renegotiated the male dominated New German Cinema and experimented with highly subjective, wildly diverse forms of filmic expression. All films are marked by their defiance of commercial norms, that seek to invent new languages of political filmmaking. By transferring these methods and narratives into contemporary culture Fahrenholz echo this tradition and creates an overlap of temporalities.
The films Two A.M. by Loretta Fahrenholz, Is This Fate by Helga Reidemeister and Ticket of No Return by Ulrike Ottinger represents the act of filmmaking for what it has been for many women, across the decades and around the globe, a terrain of feminist struggle, and a way of not only relating to society, but remaking it.
